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On the History of Film Style

  • Title : On the History of Film Style
  • Author :
  • Rating : 4.55 (316 Vote)
  • Publish :
  • Format : Paperback
  • Pages : 336 Pages
  • Asin : 0674634292
  • Language : English

The study of cinematic style has profoundly shaped our attitude toward movies. Style assigns films to a tradition, distinguishes a classic, and signals the arrival of a pathbreaking innovation. Illustrated with more than 400 frame enlargements, this wide-ranging study provides a new lens for viewing cinema.. Examining the contrib

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The study of cinematic style has profoundly shaped our attitude toward movies. Style assigns films to a tradition, distinguishes a classic, and signals the arrival of a pathbreaking innovation. Illustrated with more than 400 frame enlargements, this wide-ranging study provides a new lens for viewing cinema.. Examining the contributions of both noted and neglected directors, he considers the earliest filmmaking, the accomplishments of the silent era, the development of Hollywood, and the strides taken by European and Asian cinema in recent years.On the History of Film Style proposes that stylistic developments often arise from filmmakers' search for engaging and efficient solutions to production problems. Bordwell traces this activity across history through a detailed discussion of cinematic staging. David Bordwell now shows how film scholars have attempted to explain stylistic continuity and change across the history of cinema.Bordwell scrutinizes the theories of style launched by André Bazin, Noël Burch, and other film historians. In the process he celebrates a century of cinema, integrating discussions of film classics such as The Birth of a Nation and Citizen Ka

Beginning with the "Standard Version" of stylistic history as espoused by Robert Brasillach and Maurice Bardeche, he moves on to treat Andre Bazin, Noel Burch, and more recent research programs. . In so doing, Bordwell discusses classics like Hiroshima mon amour (1959) and popular contemporary works like The Hunt for Red October (1990). Liberally illustrated with frame enlargements, the book is informative, provocative, and recommended for all libraries.?Neal Baker, Ball State Univ., Muncie, INCopyright 1998 Reed Business Information, Inc. From Library Journal Here, Bordwell (The Cinema of Eisenstein, LJ 10/15/93) refutes condemnations that the study of film style is "empiricist," "formalist," or prey to the fantasy of a "grand narrative." He explains how film scholars have tried to codify stylistic continuity and change over the past 80 years

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. David Bordwell is Jacques Ledoux Professor of Film Studies at the University of Wisconsin–Madison

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